Twice in the course of the story, Leo has to choose between the laws of the country and the bonds of familial loyalty. He ...

Unlike Nathan Fielder’s past work, “You Can See Everything” isn’t very funny, according to Naomi Fry. Instead, it’s a ...

Anthony Scaramucci, the former White House communications director, reflects on his record for occupational brevity being ...

CBS News’ editor-in-chief has pledged to “speak for the seventy-five per cent” of people on the center right and the center ...

Welcome!” John Goodman bellowed from his front porch, in Charleston, South Carolina. He pointed to a patch of flowers, ...

With the opening of Faux, in Tribeca, Keith McNally’s son steps into the family business. Is it ambition or hubris?

Why do so many new films have plots and structures that make reviews a delicate dance of hints and secrets? My rule of thumb ...

Rich Baris, a pollster supportive of the MAGA “big tent,” talks with David Remnick about how the President lost control of ...

The latest twist in Trump’s years-long flirtation with outright support of the Russian war effort began last Friday, after ...

A reporter who covered the war in Afghanistan—and saw a man executed there—reflects on what it’s like to witness a public ...

The cases of Christa Pike and Nidal Hasan show how vanishingly fine the line is between a routine execution and an unbearable ...

One of the biggest failures of the post-#MeToo moment is our collective inability to provide a confident, humane account of ...