London’s Frieze Week evening sales totaled £279.4 million, as Sotheby’s results were buoyed by a £9.8 million European record ...
A floor of 835 m2 at Wereldmuseum Amsterdam has been transformed into one vast dance floor. With the exhibition DISCO, the museum pays an electrifying tribute to this hugely influential musical ...
Paula Cooper Gallery and Sprüth Magers will each stage an exhibition of the work of Frank Stella next spring in New York. With $1tn of art set to change hands in the ‘great wealth transfer’, this ...
Much of the trove, offered this fall at Christie’s, comes from a buying spree in the late 2000s and includes Dutch Golden Age ...
Learn about Jean-François Vanel-Pierre's life and career. Explore their biography, major exhibitions, published articles, and signature examples on MutualArt.
Curator Kenny Kay pulls experimental and archived works out of storage to challenge the unspoken rule against touching contemporary glass art ...
In the high-stakes corridors of the global art market, the transition from "digital curiosity" to "blue-chip asset" is rarely a linear path. For Refik Anadol, this journey has been defined by a ...
Driven by psychological depth and rarity, Munch’s market continues to soar, led by a record-breaking sale of The Scream and a robust 2025 auction performance ...
John Baldessari mastered the sight gag early in his career, whether in his repurposing of the compositionally compromised photograph of a man standing in a place that makes a palm tree.
A team of researchers excavates the story of Earl Stendahl, a mid-century gallerist who shamelessly stole ancient Mesoamerican objects and marketed them to the institutional art world. There are 700 ...
From Tarek Atoui's sound commission in the Turbine Hall to Edward Enninful's 1990s at Tate Britain, six museum shows that run well beyond the fairs. What makes a work of art iconic? A new exhibition ...
The latest in a run of blockbuster husband-and-wife exhibitions, a survey at the Metropolitan Museum of Art, New York, ultimately makes a case for seeing Krasner’s work on its own terms.
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