No Kings Day happened all over the country, including (colorfully) in Washington Square Park (see video short below), as part of a push to get out the vote. What’s next? Two online events: ...

Sophia Anne Caruso as Colette, a French prostitute and diarist in Duncan Sheik’s posthumously produced musical, has a moment that struck me as straight out of his “Spring Awakening,” when she lets ...

These lists were calculated from 1,634 total productions: 1,283 non-profit theaters that are members of the magazine’s parent organization, Theatre Communication Group, plus 351 productions at ...

The artist Peter Max, who died on Monday at the age of 88, was best known for his psychedelic posters from the 1960s, but he apparently also designed for the theater. Twice. In 1967, he designed the ...

You’re likely to be charmed by Ryan J. Haddad and nearly everybody around him in “Good Time Charlie,” from the moment he introduces the family members he roped into “The Haddad ...

In a fleeting moment but one that will last forever, Manuel Oliver found out that his 17-year-old son was shot dead, one of the 17 people killed on Valentine’s Day, 2018 at the Marjory Stoneman ...

In an extraordinary display of quick-hit characterizations, Sarah Jones cycles through almost twenty Americans, each with distinctly different accents, from widely different ethnic backgrounds, some ...

Lupita Nyong’o portrays a woman in the weeks and months and possibly years after she is hit by her boyfriend, in Marin Ireland’s play, reopening tonight at Greenwich House Theater after a short run ...

Anne Carson has been awarded the 2026 Nobel Prize in Literature, “for her bold and inventive oeuvre that, in playful dialogue with the classical tradition, has created new forms for contemporary ...

Below are my two reviews of the original 2011 New York production of “Other Desert Cities,” by Jon Robin Baitz, which I’m resurrecting shortly before the play’s first Broadway revival, set to open ...

Slam Frank,” a problematic musical that revels in its provocations, winds up a muddle and maybe something worse. But it begins with a premise that at least is clear: What if a hopelessly woke ...

Sure I’m excited about the Broadway debuts of both Julia Louis-Dreyfus and “The Fantasticks” (both long overdue); I’m curious whether Raúl Esparza will make “Galileo” worthwhile and how “Here There ...